New Zealanders start w/an unidentifiable creak, akin to frogs in a pond and/or a new form of analog malfunction, & morphs through a murky, resonant guitar dirge, almost like a Destroy all Monsters cover of Merzbow`s Frog. HYPER LTD pressing.
Veers from tinnitus-inciting sine scrawls to guttural noise sludge, conjuring up feelings of radio transmissions, field recordings, 80`s industrialism, concrete, etc. The lighter` moments sound like a Wolf Eyes/American Tapes thing. C60 tape LTD 50.
The EX/Kletka Red/Dog Faced Hermans sonic guitarist & electronic guru team up to produce a dark, textural sound with extremes in dynamics. Barely audible blips & squeaks to massive walls of joyful noise often backed by bizarre rhythmic patterns.
Re-release of saxophonist`s debut solo album (Originally recorded on his own ACTA label in 1992). It is regarded as a milestone in the development of the saxophone in the contemporary improvised music scene. Compelling demonstration.